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Optoma HD20

Video Projector Review

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Optoma HD20
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Viewing Effects

The Optoma HD20 requires a long throw, so don’t plan on putting this in a tiny room. But you can’t put it too far away, either, because the lamp isn’t that bright.

Throw (3.18)

The throw is the distance between the projector and the screen. The Optoma HD20 requires more distance than many of the projectors we’ve reviewed. Fortunately, the Optoma HD20 has a 1.2x zoom lens that increases the overall flexibility. All the details are in the chart below.

Optoma HD20
Required Distance for Screen Size
64-inch screen 80-inch screen 100-inch screen 120-inch screen 140-inch screen
Wide Angle 7ft 9in 9ft 8in 12ft 1in 14ft 6in 17ft 0in
Telephoto 9ft 2in 11ft 6in 14ft 4in 17ft 3in 20ft 1in

The sad fact is that the Optoma HD20 is not the brightest projector, and the bigger the screen you’re throwing a picture on to, the dimmer that light gets. All projectors suffer from this problem, but the Optoma HD20 is dim from the outset, so it gets to be problematic on really large screens. Basically, don’t plan on using this TV in a sunny room, or even a room with lights on, especially if the screen is larger than 80-100 inches.

Optoma HD20
Projector brightness
64-inch screen 856 lux
80-inch screen 548 lux
100-inch screen 351 lux
120-inch screen 243 lux
140-inch screen 179 lux

As you can see in this next chart, the relationship between ambient light and screen size does not need a lot of room for flexibility. The Optoma HD20 is designed for dedicated, dark home theaters.

Optoma HD20
Screen Visibility for Screen Size and Room Brightness
64-inch screen 80-inch screen 100-inch screen 120-inch screen 140-inch screen
Darkened Room Yes Yes Yes Yes No
Dimly Lit Room Yes Yes No No No
Moderate Lighting Yes No No No No
Bright Lighting No No No No No
Ambient Light Performance Comparisons
Optoma HD20
Optoma HD66
Epson PowerLite Home Cinema 705HD
Canon REALiS SX7 Mark II
Optoma HD20 Optoma HD66 Epson Home Cinema 705HD Canon SX7 Mark II
Darkened Room (10 lux)
Dimly Lit Room (15 lux)
Moderate Lighting (500 lux)
Bright Lighting (1500 lux)

In a pinch, people sometimes point projectors at any flat surface. To test its flexibility in this regard, we project onto four different surfaces. White board, beige walls, and even green chalkboard are suitable surfaces. You’ll lose some color accuracy, but you can definitely make out fine details and read text.

The Optoma HD20 has a manual focus ring, which feels extremely cheap but gets the job done with reasonable satisfaction. Don’t get too close to the screen, though, because you’ll definitely see some fuzziness.

Image Sharpness
Sharpness-chart

The Optoma HD20 has a small selection of video processing features.

Setting Claimed Function Our Impression
Overscan

Overscan function removes the noise in a video image. Overscan the image to remove video encoding noise on the edge of video source.

The official explanation (to the left) makes no sense. Overscan simply blows up the picture about 2-3%. Yes, it can remove some of those little artifacts around the edge, but that’s not really “noise.”

SuperWide

SuperWide is a feature that uses a special 2.0:1 aspect ratio screen enabling both 16:9 and 2.35:1 aspect ratio movies to be shown without black bars at the top and bottom of the screen

As advertised.

Image AI

Image AI improves the contrast of the picture by optimizing the brightness of the lamp according to the picture content.

Boosts saturation and contrast.

The Optoma HD20 has a native 1920 × 1080 (1080P) resolution. That’s about as good as you can get for an affordable home theater projector. So many projectors that categorize themselves as “home theater” fall short of 1080p and must downscale 1920 × 1080 content to fit. The Optoma HD20 can, of course, handle all lesser resolutions.

Read Reviews of Comparison Products
Optoma HD66


Optoma HD66
Epson PowerLite Home Cinema 705HD


Epson PowerLite Home Cinema 705HD
Canon REALiS SX7 Mark II


Canon REALiS SX7 Mark II

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Optoma HD20
Video Projector Review

Previous: Page 4

Motion

Previous: Page 6

Calibration